Отправлено: 22.01.07 21:28. Заголовок: Митхун 3

Все про нашева любимчика!

 Отправлено: 27.01.07 23:06. Заголовок: Re:

Да,посмотрела Буги-вуги!!!!!!Это что-то!!!Отвал не тока башки но и всего остального..блин секси такой!!!

 Отправлено: 27.01.07 23:22. Заголовок: Re:

Статейка про "ГУРУ"
On Guru

My instinctual feelings about any Mani Ratnam movie is of a plate of brilliance sprinkled with shit. I always feel that I'm watching two movies simultaneously, a very good one, and a B+ film. 'Bombay' was the one film which tried to break that convention the most, and Guru probably tows the line the most. Okay, so let's see what so awesome and crappy about Guru.

The Good stuff:
An Ambani-esque story with silent reminders to Ayn Rand's The Fountainhead, Guru has an unusual story for Bollywood, great performances by most actors, the best being Mithun Chakraborty , (not Abhisheik), great music and lyrics and interesting dialogue.
And definitely the best: Bappi-da's Ek lo ek Muft [wonderful singing, but god knows how thathelps the movie]

The Crappy garnishings:
Bad editing, which is not seen in Mani-sir's movies [any one noticed how the song Mayya creeps in between the suicide sequence in hospital?]
Strange choreography [No doubt Barso Re Megha is wonderfully unusual in its style, but its high time Saroj Khan accept that newer choreographers
like Farah Khan are better]. Almost all songs in the movie seem out of place
The ugliest kiss in Bollywood[Somebody teach Madhavan how to kiss please. Even though the kissing scene occurs in a sort of unusual emotionally charged situation, that kiss reminded me of Dementors from Harry Potter and the Prisoner of Azkaban!

Okay, enough of my criticism! Is the movie worth watching. Totally!

Posted by Bi-Boy at 5:29 PM



Перевод(тупой)

На Гуру

Мои инстинктивные чувства о любом Mani Ratnam кино имеют пластину блеска, опрысканного дерьмом. Я всегда чувствую, что я наблюдаю два кино одновременно, очень хороший, и B + фильм. 'Бомбей' был одним фильмом, который пробовал нарушить(ломать) то соглашение наиболее, и Гуру вероятно буксирует линию наиболее . хорошо, так что давайте видеть какой настолько устрашающий и дрянной о Гуру.

Хороший материал:
Ambani-esque история с тихими напоминаниями к Ayn Рэнду Источник, Гуру имеет необычную историю для Bollywood, большие действия большинством актеров, лучше всего быть Mithun Chakraborty, (не Abhisheik), большая музыка и лирика и интересный диалог.
И определенно лучшее: Bappi-da's Эк Ло ek Muft [замечательное пение, но бог знает как thathelps кино]

Дрянной garnishings:
Плохо редактирование, которое не замечено в кино Mani-сэра [любой заметило, как песня Mayya ползает между последовательность самоубийства в больнице?]
Странная хореография [без сомнения Barso Ре Megha чудесно необычна в его стиле, но его пора Saroj Khan признают что более новые балетмейстеры
подобно Farah Khan лучшие]. Почти все песни в кино кажутся неуместными
ugliest поцелуются в Bollywood [Кто - то преподает Мадхавану, как поцеловаться пожалуйста. Даже при том, что целующаяся сцена(место) происходит в своего рода необычный, эмоционально заряженная ситуация, тот поцелуй напомнила мне о Dementors от Гарри Поттера и Заключенного Azkaban!

Хорошо, достаточно моей критики! Является наблюдением ценности кино. Полностью!

Отправленный по почте(Объявленный) Мальчиком висмутав 17:29

 Отправлено: 27.01.07 23:44. Заголовок: Re:

Лана пишет:

цитата:

Да,посмотрела Буги-вуги!!!!!!Это что-то!!!Отвал не тока башки но и всего остального..блин секси такой!!!

хааачуууу буги-вуги!!!

 Отправлено: 28.01.07 00:04. Заголовок: Re:

JIMMY Я думала ты уже посмотрел я ж тебе неделю назад писала где взять..я не с Москвы и то уже посмотрела..а ты отстаёшь однако....давай уже бери....у меня вся семья смотрела!!Жалко мало!!
От Мита глаз не оторвать я в тот день как получила раз 8 посмотрела..до сих пор ещё отойти не могу!!
Я ж его в основном молодого собираю а такого не часто вижу!!!Впечатление произвёл гораздо сильнее чем в молодости...

 Отправлено: 28.01.07 00:23. Заголовок: Re:

А я уже заказал! так что скоро посмотрю! но хочется уже до нельзя терпеть сил нету

 Отправлено: 28.01.07 00:29. Заголовок: Re:

JIMMY Ты шо по почте ждёшь??

 Отправлено: 28.01.07 00:34. Заголовок: Re:

Лана пишет:

цитата:

JIMMY Ты шо по почте ждёшь??

УГУ

 Отправлено: 28.01.07 00:43. Заголовок: Re:

JIMMY А "пешком" взять не быстрее было бы??

 Отправлено: 28.01.07 00:49. Заголовок: Re:

Мне из другого города высылают!А МОСКОВСКАЯ барышня на контакт не идет

 Отправлено: 28.01.07 00:57. Заголовок: Re:

JIMMY Да ты что она милая и цену скинула мне и сразу выслала!!

 Отправлено: 28.01.07 01:08. Заголовок: Re:

Лана пишет:

цитата:

Да ты что она милая

Верю но я письма на мыло писал она даже дважды ответила я узнал о концерте подробнее,хотел договориться о встрече МОЛЧИТ даже оставил ей свой телефон опять МОЛЧИТ еще раз написал опять тишина! из другого города и то быстрее получится

 Отправлено: 28.01.07 11:52. Заголовок: Re:

Cоня пишет:

цитата:

у Митхуна начался очередной приступ молодости,

Я енто давно говорила, - после Питера у Мита началась волна нестерпимого "настроения" к жизни!!!!
Вот что значит, поднять дух человеку!!! Морально мы его одухотворили, ежели можно так выразицца
Посморите - и "нашу" рубашку носит, не снимая На удачу
Воть..

 Отправлено: 28.01.07 11:58. Заголовок: Re:

Где и как достать Буги..? Я живу в Москве

 Отправлено: 28.01.07 19:03. Заголовок: Re:

alla пишет:

цитата:

Я енто давно говорила, - после Питера у Мита началась волна нестерпимого "настроения" к жизни!!!! Вот что значит, поднять дух человеку!!! Морально мы его одухотворили, ежели можно так выразицца

Ой малатцы девчонки [взломанный сайт]!

 Отправлено: 29.01.07 10:22. Заголовок: Re:

JIMMY пишет:

цитата:

но хочется уже до нельзя терпеть сил нету

Ну потерпи, сегодня с работы пойду и пошлю

JIMMY пишет:

цитата:

Верю но я письма на мыло писал она даже дважды ответила я узнал о концерте подробнее,хотел договориться о встрече МОЛЧИТ даже оставил ей свой телефон опять МОЛЧИТ еще раз написал опять

Сранно, а мне сразу ответила

alla пишет:

цитата:

Я енто давно говорила, - после Питера у Мита началась волна нестерпимого "настроения" к жизни!!!! Вот что значит, поднять дух человеку!!! Морально мы его одухотворили, ежели можно так выразицца

Ну да, сам себя не похвалишь... Мне кажется, мы тут не причем, просто его дети ударились карьеру делать, ну и папка за ними в Мумбай подался, надо же себя чем-то занять, вот и занимает...

 Отправлено: 29.01.07 12:45. Заголовок: Re:

the words of Mithunda

‘I have never believed in the number game. I have reached super stardom because I was destined to,’ says Mithun Chakraborty.

You have spent over 30 years in this industry. What has been your learning so far?

Hindustan has loved me and I am thankful to my people, my hardcore fans who still love me. As far is my work goes, it was 80 per cent hardwork and 20 per cent enjoyment. Stardom has not come easily. Life has not been a bed of roses, I have experienced many thorns. So many, that I could not enjoy my stardom. I am also a human and have my set of emotions. When I feel bad even today, I cry, but in the bathroom.

You have worn so many hats, the hat of an actor, a dancer, a producer, a father, a business man, a social worker. How do you manage to cope with so many roles?

I have been able to do this because I do one thing at a time. If I do films, I concentrate on that. If I do social work then I am not thinking about movies. If I do a Bengali film I concentrate there, if I do a Hindi film my attention is on that and when I do social work my heart is completely there. When I am in Ooty, it is only about business.

How was the scenario in your career after Disco Dancer?

After my first film, I did give many hits before I got noticed by B Subhash to play the role in Disco Dancer. I had never thought that it would be such an international hit.
I gave my best efforts, danced my heart out and gave everything as a good performer. The movie was made with a lot of hardships and low budget. It was destined to be a hit. It has been dubbed in various languages across Asia, Russia, Africa and got me recognition worldwide. There are very few countries that don’t recognise me after the release of this movie.

Tell us about your interesting experience while shooting for Lucky-no time for love.

We were shooting in Russia and happened to visit this private pub. Entry was denied to Salman Khan because it required membership. When I went to the scene, they recognised me as the star, ‘Jimmy’ from Disco Dancer and I was allowed to enter without being questioned. Вот, знай наших!

You have been the one to introduce the Disco, a unique dance trend. Are you fond of dancing?

Yes, I enjoy dancing. I have never learnt dancing. I have been a great fan of Elvis Presley and I picked up my pelvic moves from him. When I started pelvic dancing, it was considered to be vulgar, but down the line people started accepting is as my dancing style.
My dancing style is taken some from Travolta, some from Jackson, some from Elvis and I have added my Indianised touch to it and created my own style.

In today’s day which actor and actress has the kind of potential and talent to sustain in the long run like you?

Who will sustain is hard to say. In my time, stardom was important and we were not allowed to do do many character roles. It was important to have an image like a Dharmendra or a Vinod Khanna or a Amitji or a Shatrughan Sinha. Image was very important.
Today, the scene has changed. The hero does various character roles and he is accepted. I feel Hrithik Roshan is a complete star, the way he dances and acts, he is very good.
Superstardom is a combination of everything – personality, performance, charisma that makes people turnaround and makes it look BIG and Hrithik has all of these characteristics.

Your son is coming into movies. What is your advice to him?

I have told him that I will not take his photos and run around to producers. He needs to follow the director, treat him as the captain on the ship and learn from him. He needs to learn the difference between wrong and right, have faith in self and the director and leave the rest to destiny.
I have not allowed him to watch too many of my Hindi Films as they are very influential. I want him to come up by himself and not imitate anybody’s style.

How much do you believe in the number game?

I have never believed in the number game. I have reached super stardom because I was destined to.

What makes you most proud about yourself?

I have won three national awards for the Best Actor and it is like being nominated three times among other best performers and being selected as the best amongst the best, which is not easy.

How come Elaan did not do well as a comeback film?

What went wrong I feel is that when a star is made to play a negative, it has to be justified to the audience.
For a negative role you must have a backdrop that shows circumstances that make one bad. It is also destiny. I will stand by Vikram, cannot blame one for working of a film.

Is Guru your true comeback?

I do not believe in comeback and second innings. It is a role of a socialist, honest crusader. Mani Ratnam felt I could play the role and I enjoyed it.

Your future films.

Nau Laakh with Isha Koppikar and Sohail Khan

 Отправлено: 29.01.07 14:49. Заголовок: Re:

It's another high to work with newer lot: Ratnam

By Subhash K. Jha, Mumbai, Jan 29:

After working with veterans like Kamal Haasan, Mammootty and Mohanlal, director Mani Ratnam experienced another high treading the same path with Abhishek Bachchan, because he took to untested waters with tremendous confidence in "Guru".

"When Kamal did 'Nayakan', he had done a few roles that had him aged and demanded a lot of commitment from. He was already a veteran and a master. For Abhishek such physical preparation was a first. He was in a new zone. But he took to the untested waters with tremendous confidence," Ratnam told IANS.

Asked if he still thought shooting in Hindi that is an alien language for him was burdensome, he said: "My Hindi is improving in geometric progression. I started at zero and am gradually climbing up. No, I have not abandoned Tamil, if that is what you're asking. I have done five films after 'Dil Se', three in Tamil and two in Hindi."

Ratnam, who is known to be a disciplinarian and taskmaster on the sets, doesn't face any problems in handling stars.

"Star or no star, they are all actors. And if they are right for your role then they should be able to slip into the character quite well. We just make sure that there is enough in the character to be able to take the burden of the star's popularity," he said.

Excerpts from an interview with the filmmaker:

Q: "Guru" is another bio-pic like "Nayakan". In fact, the physical preparation undertaken by Abhishek is reminiscent of Kamal Haasan's rigorous preparation. Did you get a similar level of commitment from both actors?

A: Absolutely. When Kamal Haasan did "Nayakan", he had done a few roles that had him aged and demanded a lot of commitment from. He was already a veteran and a master. For Abhishek such physical preparation was a first. He was in a new zone. But he took to the untested waters with tremendous confidence.

Q: How much do you miss the older generation of actors like Kamal, Mammootty and Mohanlal in your newer films?

A: They are all great. No doubt. It was a pleasure to work with them. Such actors make a director's life a lot easier. But it is another high to travel similar path with the newer lot.

The youngsters have grown watching these masters perform. The standard has already been set. So, the newer lot is trying not just to reach that standard, but also to cross it. They are a bunch of intelligent youngsters with a wide exposure to world cinema. They bring all that to the shoot.

Q: "Guru" has an unusual cast. What made you sign on unusual suspects like Mallika Sherawat and Mithun Chakraborty?

A: Mithun-da was brilliant to work with. He is so real in his performance. Natural and with no fuss.

Q: Mallika did an item song... Is she a commercial add-on? Did she really trouble you during shooting?

A: Mallika was very professional. She had to dance to a number in Istanbul in very cold conditions. She did it very well. No fuss and no problem whatsoever. She had done a lot of rehearsals before we left for Turkey and worked long hours there in a belly dancer's costume.

Q: How much of the burden of shooting in an alien language - Hindi - have you abandoned since "Dil Se"?

Q: My Hindi is improving in geometric progression. I started at zero and am gradually climbing up. No, I have not abandoned Tamil, if that is what you're asking. I have done five films after "Dil Se", three in Tamil and two in Hindi.

Q: Is it true that you originally wanted Shah Rukh for "Guru"?

A: Not at all! Abhishek was the first choice. Would love to do another film with Shah Rukh when I have a subject for him. He is fantastic to work with. He will do anything for a film. A terrific guy.

Q: How do you assess your journey from "Mouna Ragam" to "Guru"?

A: It feels like yesterday and then again it feels like a long long journey. One thing has not changed. I still struggle and plod through each film.

Q: Are bio-pics like "Nayakan", "Iruvar" and "Guru" harder to do than fictional films?

A: All three are fictional. They might have some connections with real life characters but otherwise they are all 'novelisation'. In fact, if you look at other scripts like "Mouna Ragam" - they are also based on real-life characters. You may not know their names and who they are. But they are as true as the guy in "Guru".

Q: You've done acutely romantic films like "Alai Payuthe" and "Dil Se". You've also done political parables like "Kannathil Muthamittal" and "Iruvar". Where does "Guru" figure in your repertoire?

A: Right in the centre. It is the life-story of a man, his romance with his life with his ambition in the times of political changes.

Q: How difficult is it to mould huge commercial stars from iconic emblems to into characters?

A: Star or no star they are all actors. And if they are right for your role then they should be able to slip into the character quite well. The fact that they are stars is something that you take into consideration when you cast them. We just make sure that there is enough in the character to be able to take the burden of the star's popularity.

Q: Since being satisfied isn't an option for a true creator, what is your level of dissatisfaction with "Guru"? Did you get the feel and texture that you desired?

A: Yes.

 Отправлено: 29.01.07 18:24. Заголовок: Re:

На ваш сайт я зашла случайно прочитала переписку Мне понравилось письмо Елены3 Я полностью с ней согласна
Я тоже не поклонница индийского кино но Митхун - это что-то
Он настолько не похож на всех остальных что кажется попал туда случайно
Я не буду говорить о его внешности - очевидное не требует доказательств только добавлю свое мнение - в некоторые моменты он просто прекрасен - какой-то свет из глубины
И вообще мне жаль индусов - они просто не понимают каким сокровищем владели Использовать его в подобных фильмах - это все равно что забивать гвозди ценной статуэткой или "графа Орлова" вставить в медную оправу

 Отправлено: 29.01.07 19:48. Заголовок: Re:

прохожая

Привет!Харашо сказана! маладец

 Отправлено: 29.01.07 20:56. Заголовок: Re:

прохожая

не проходите мимо!

 Отправлено: 30.01.07 09:49. Заголовок: Re:

Алёна пишет:

цитата:

не проходите мимо!

Да, заходите!

 Отправлено: 30.01.07 14:35. Заголовок: Re:

Прохожей

Спасибо за поддержку, так приятно встретить человека, который тебя понимает.
А "граф Орлов" в медной оправе - так здорово и образно сказано, умничка!

 Отправлено: 30.01.07 15:28. Заголовок: Re:

А мне про гвозди понравилось так теперь всем и буду говорить!!

 Отправлено: 30.01.07 17:36. Заголовок: Re:

Mithun says no to Bhootnath

Shaikh Aiyaz

Mumbai, January 30, 2007

Their reunion after 16 years hogged reams of newsprint. There was news of Amitabh Bachchan and Mithun Chakraborty coming together for a dance number in Ravi Chopra’s Bhootnath. However, it is now learnt that the Guru actor has decided not to do the film.

Apparently, Chakraborty expected more than just an item song — a full-fledged role alongside Bachchan. Director Chopra was constantly in touch with Chakraborty, who later expressed apprehension about doing a brief role.
However, the actor’s Man Friday Vijay Upadhayay has another story to tell. “Mithun dada was never approached. It was the media who created the news out of nothing,” he says.
In the ’80s, Bachchan and Chakraborty were said to be at odds with each other. The last film they acted in was Agneepath, for which both went on to win various awards – while Bachchan bagged the top honours with a National Award, Mithun, as his sidekick, had to be content with a magazine award.
Meanwhile, Chakraborty’s career in Mumbai filmdom is once again looking bright, largely due to a meaty role in Guru. His last two Bengali films, Hungama and MLA Phatakesto, have done top business.
****************
Митхун не согласился на попевку к Амитабху Прально, пусть с ним Ашка поет, ей теперь по штату положено

 Отправлено: 30.01.07 18:10. Заголовок: Re:

Mithun Chakraborty- “I would like to direct and be a success at that too”

Interviewed by Indu Mirani

In the recently released Guru, Mithun Chakraborty proved once again why he is one of the most outstanding actors of his generation and a three time National Award winner. In this interview he rolls back time and speaks about his beginnings and where they took him both as an actor and as an entrepreneur.

You are one of those actors who came from a good background, but started off with really nothing in Bombay. Can you recall those days?

Actually, very frankly, I didn’t come here to become an actor. The most interesting part is destiny, which I believe in. I am a non-believer of God, but destiny I believe in, because a man who did not have any such ambition became an actor in the 80s and 90s became one. Sometimes I wonder why I was brought here from Calcutta. I thought I would stay for just a month and that when things were settled in Calcutta, I would return.

Settled?

Politically it was a very hot time there. I am talking about 1968-69. I came to Bombay on September 11, 1969. After coming here, I heard that it was not good at home, that I could not go back; I didn’t know what to do. A friend told me he was going to Pune and wanted a companion. As I did not have any work at the time, I accompanied him. In Pune, I saw the film institute and heard that there actors and directors are ‘made’ – they are trained there. So I applied for admission. I was called to the films division of Bombay and auditioned, but in Bengali, because I had no fluency in Hindi or English, though I had studied the languages in college. At the audition, the judges were literally stunned - they did not expect such an uncommon guy. Jaya Bachhan, who was Jaya Bhaduri at that time, said, “You are just too much”. Suddenly I felt I had become an actor. But the irony was that when they called me for an interview, they told me that in Calcutta, too, there was an institute, and asked why I didn’t audition there. At that point, I could not answer. So they asked me is I was politically involved. And, like a foolish man, I spoke the truth and was immediately denied admission, because I was involved with violent politics. That one year was the worst time of my life.

Why?

I had no place to sleep; no money to eat. I had a friend in VJTI Hostel who said that he would share his room with me, but only if I could jump the wall after 12:30 at night, and leave before 4:30 in the morning.

So you could only sleep from 12:30 to 4:30?

Yes. A friend of mine called Vikram Bhangera made me a member at the Matunga Gymkhana, so I would wake up in the morning and finish my chores, brush my teeth, then be on the road again all day. And I had friends who would give me food - I remember very vividly that for three days I did not have anything to eat, because I had no money. But I had wonderful friends. A good friend in Sion, Gautam Guha, a director, let me stay for a month in his house, but how long can you keep a man?


At that time, did you have the obsession to become an actor?

The desire to become an actor had risen in me by then, because I had been selected for admission into the film institute. So I met Roshan Taneja, who said, “Who told you to tell them everything? You should have said you come from Bombay or Delhi. But you are a selected candidate, so apply from Calcutta and, if nothing goes wrong, you will be a chosen. So I did that a year later, was selected and then went to the Pune film institute and graduated with flying colours.
Do you feel that because of your background you were obsessed with doing something special?
I had nothing and looked so different. No one would have thought that I could become an actor in Bollywood. I thought that, too. I would call it more than ‘obsession’. I am a very focused man. If I thought about doing something, then I went for it whole heartedly. Even today, when I choose something that matters to me, I give my whole and soul to it. I do not believe in 99.9 percent. I am not ready to leave that one percent unfinished. I will give 100 percent.

And your dancing style was very different for those days. Did you learn that, too, in the institute, or was it inborn?

No, I never learnt dance. I was a roadside dancer; I would dance at pujas and I would watch everyone else and dance like them. There was Shammi Kapoor and Jeetendraji, but actually I copied Elvis Presley – he was called ‘Pelvic Presley’, that’s why my pelvic moves were done. Many people made fun of me, saying it was not good, but they didn’t know that I was copying an icon. After that came Michael Jackson – I mixed all these and made a style of my own; the finesse was mine that is why you won’t be able to see that I am copying anyone. Later it was called the Mithun Chakroborthy style’.

In fact, after you, when Govinda came on the scene many years later, everybody said he was copying Mithun Chakroborty.

Yes, because that became such an ‘in’ thing. So everything was focused on ‘isse accha kaun karega, yah iske jaisa kaun karega’ - it happens with everyone, I think.

Did you bowl your directors over with of your dancing style and sense of rhythm?

No, my career started as a junior artist. And I did a scene before that which was cut; it was just a passing shot in studio for Chaitali. Then came Mrigaya - Mrinal Sen saw me in the film institute; I did not even know him. Again, I am talking about destiny - a man that I had never met, that I did not even know, had never approached as an actor…that great man was watching me as I sat and played, fooling around with everyone, pulling girls’ hair. He sent a message to someone saying that a very tall guy with a terrific physique is out there - his name starts with M. KK Mahajan, the cinematographer, found me and asked if I was that person. With Mrigaya I got my first National Award. But because I worked barebodied as a tribal boy, I didn’t have much hope for finding roles in commercial films. I thought that since I couldn’t become an actor, at least I could be a villain, a dancing villain, and give everyone a tough time! So I started to dance.
I am very obliged to so many people in the industry who also struggled for me - Vinod Khanna, Navin Nischol, Anil Dhawan, Ranjeet, Jayadi, Sunil Dutt, Salim - Salman’s father…everyone would recommend me, but my destiny didn’t work. With Suraksha, the Indian Bond, I became a star.

Do you enjoy doing action or romantic, emotional films?

I started with dancing and action, then I tried various things – the romantic film Tarana was successful, but after that everything bombed. The turning point came with Disco Dancer in 1982 and then Pyaar Jhukta Nahin.

The songs in Disco Dancer are still famous - which is your favourte?

Krishna dharti pe aaja tu…

And was it difficult to do?

No. I love the song - somehow the tone and everything else was nice, so new in the film industry. There was more dancing with the feet than with gestures. After that and Pyaar Jhukta Nahi, also a romance, I suddenly became a star.

What would you say was your defining film - Disco Dancer, or Pyaar Jhukta Nahi?

Disco Dancer was famous all over the world; it has been dubbed in almost all languages, even Chinese.

Did you ever find any song difficult to dance to?

No, never.

Did you have any classical dance sequence that you had to learn?

No, there was no such classical sequence I did, but in Pyari Behna there is a funny version - you will laugh your guts out watching it. But I managed to do it myself.

How did you feel about your sudden success?

What can be a bigger feeling than this? I had received a National Award and was approached for an interview by the Maya Puri people. I was sitting in Almeida Park, waiting for them to call me. When a journalist finally met me, and asked for an interview, I told him, ‘If you will give me food, I will give you an interview’. And the man was stunned. He bought two packets of biryani, fed me, interviewed me and then wrote about it all over the place.

And that time, this success and the happiness – who did you share it with?

Nothing has ever happened for me overnight. This success came very slowly. They said Disco Dancer was a flop at first, then they said it was a super hit. I can never say with any guarantee that I enjoyed those years of my life. I was the number one star then, but to start enjoying that…that was not my life.

At that time, did you feel that it was not permanent?

One hundred percent. Every moment I knew that you can walk for some time in this place; you cannot sit and relax when you like. I was very very aware of it.

But, especially when you were on top, did you do anything that you regretted later?

Some of the films I did, I should not have done. That they flopped were setbacks. But I had no option. I had a very large family to look after.

So that has always been your driving force - the fact that you do things for other people?

Yes, may be.

That’s why your hospitality business was successful?

I don’t know whether I am successful or not. But I do feel that no one gave me an opportunity to do better. I don’t want any publicity, that’s why you will always find me a low profile man. And I remained a very low profile man throughout my career. I don’t have to show anyone anything, I don’t have to impress anyone, I don’t have to tell anyone that I am the greatest guy on earth.

When problems started in your career, you took a decision to leave Bombay, and made your main base in Ooty. There you started almost a parallel film industry, employing so many people. How did this idea come to your mind?

When my career started going downhill and I felt my innings were over, I decided that I could not stay where I was. But even before that I had plans to start a hotel. I was in love with Ooty, and also very superstitious about the place, since that was where my luck had changed – at least one song in every super hit film was made there. I decided that when I retired, I would settle in a place like that. And then, after my children were born, I took a loan – which was sanctioned immediately because I was the highest tax payer in the country. So I built Monarch Hotel and stood there myself to receive guests and attend to them. I think that has helped me grow as a hotelier. And suddenly my hotel caught on. Today, I have no debts, and that is why I ventured out again. I created a second hotel, then a third; and then I set up a college and a school.
When Prakash Mehra told me that he was making Dalal, I said I would do the film, but would do only one shift, not more. He wanted to shoot outside the city. So he made me an offer – if I made the film in Bengali and Hindi, he would shoot it in Chennai and pay me on the day it was done. And today I openly say that the day I did the dubbing, he gave me ten thousand rupees and, as per my promise, I completed the film, which became a massive hit. At the time I was being greedy – I could use whatever money was coming in to pay off my debts on the hotel, so I offered everyone who came to me a package deal: that they could stay at my hotel and finish making the film. I never expected my career to restart with such a bang, that I could run a parallel industry. My stardom was so big. Fate supported me – Dalal was successful and Jallad was a huge hit. And suddenly things started falling into the right place, which I never even dreamed of.

How many films did you make at that time?

Quite a few – 50, at least.

At least one ‘Mithun film’ released every month…

Yes, I believed in planning. Everything should be planned. Things can go haywire and no one can take such a big risk.

Do you think you experimented a lot in that phase of your career?

Yes, I did.

Did you do a lot of negative roles?

Yes. And the best part was that I got my second National Award, and then my third for playing Ramakrishna Paramhsa. I managed to balance parallel cinema and commercial films very well. The hunger that I had as an actor had to be fed. So it all fell into the right place at the right time.

The films that you did were made at a low price and earned a profit – was that part of the plan?

Yes, of course, everything was part of the plan - that a filmmaker should come to Ooty for two months, see the location and make the plans. The film would be made as per that. And that is the way we shot.

How long were you away from Mumbai?

For business, I would come here for a day or two and stay in a hotel; or, when we had a house in Bandra, we stayed there. This we did for almost nine or ten years.

And then you came back to the Bombay film industry with Elaan…

Before that I did not work at all for two-and-a-half to three years. I was very, very bored with everything. I think that happens with everybody. I thought that I had stopped growing - that’s all. So with business and everything else, I was totally bored. So whatever films would be offered to me, I would refuse. I started doing some parallel cinema - I did Rituparno Ghosh’s Titli - but I rarely ventured out. I lost interest. Then came Elaan, a negative role..

How difficult is it for an actor to maintain a marriage – more so than for a normal person?

If you marry a girl from the same profession, it is easier to handle. But if a person from Bollywood marries a person from outside, I think it takes time to adjust.

You married Yogita Bali, and have four terrific children with her…

Right.

Would you recommend marriage to every young person?

I think that if you have to marry, marry young. And do not say ‘No children now, we have to enjoy life’. I think that’s very silly; if you want to have children, have them early, or else don’t have them, because when you have turned 45-50 and your son has grown up, he knows how to look after himself. I am very lucky in the sense that my wife has been a very great friend to me. She herself says that the day I stop looking at girls, I should stop work. So I very proudly say that I am the most happily married bachelor.

And now your son Mimoh is coming into films…

Right.

Is this his decision or yours?

It is his decision. I was open to it, because I believe in what Chanakyaji said - that till the age of five, treat your child like a flower; between five and 18, keep an eye on them; and after 18, become their friend. And I have brought my children up like that. One day their mother asked me if I had seen Mimoh dance. He was a chubby boy, so I wondered how he would dance, but when he did, I told him, ‘You are horrible! I have never seen anyone dance so badly, ever.” But I could see the rhythm in his legs and that intrigued me, since someone who has rhythm can do something – after all, life is all about rhythm. So I showed him one of my songs, from Dicso Dancer, and asked him to copy it, expressions and all.

Do you always need a choreographer for your songs, or you do it on your own?

You need a choreographer, because there are many things - like the mood of the song - that you cannot concentrate on as you perform. It’s not that we can’t do it; with experience, every actor can, but a choreographer is necessary.

Were there any heroines that you found difficult to dance with, because they had a different style from yours?

I never overshadowed anybody when I worked with them. I always took everybody as a friend. So whatever steps they did, I would match. You will not find me doing anything extraordinary. I always moulded myself to be like them.I hold the world record for films in our national language. I have worked with 150 heroines, with the most newcomers. I am happy being what I am. I am a very contented man, happy with little things.

Do you have unfulfilled dreams, anything that you still want to do?

Yes, I want to direct and be successful at that. Destiny guides me. If it is destined, it will come to me.

And in your personal life?

I want to see all my children doing better than me. I have a fantastic wife who is a fantastic mother. We have brought up our children very normally, to be very down to earth.

Do you think that today actors get better work than they did in your time?

Yes, they have many avenues they can explore. Today if an actor is successful, the ad campaigns they get through their work are fabulous. I wish I was born for now – there would be so much more I could do and so many more hotels I could create! Amitabh Bachchan is doing the greatest of all today. It looks like Amitji is born again!

Did you ever feel that you missed out on seeing your children grow up, since you were busy working at that time?

Mimoh didn’t grow up with me, the rest did. Being in Ooty has given us a lot of bonding time, and for that I will forever remain grateful. But family bonding is such that after a week or so, you feel suffocated. I don’t know how to work on a laptop, but I bought one with a webcam so that I can see my children’s faces through it at night and I am happy.

How would you like to be remembered?

As a good human being, because nothing is immortal, except your good deeds, no matter how big a star you are. People forget the big stars, so they will forget me, too. But I am very sure that if I can leave something good behind, I will be remembered.

 Отправлено: 30.01.07 19:10. Заголовок: Re:

прохожая, жму твою руку!

 Отправлено: 30.01.07 20:45. Заголовок: Re:

olga пишет:

цитата:

Митхун не согласился на попевку к Амитабху Прально, пусть с ним Ашка поет, ей теперь по штату положено

Ну и маладец !!! :незачем мелачится

 Отправлено: 01.02.07 16:50. Заголовок: Re:

Непомню было это или нет

Scene Stealer : Mithun Chakraborty
January 30th, 2007 by starbuzz

Why is everyone raving about Mithunda? You've certainly caught everyone by the collar in Guru?

I've been getting a lot of applause, both from the media as well as the public. It feels great, but I give full credit to Mani Ratnam who's an actor's director.

Your character, Manik Dasgupta, was obviously inspired by Ramnath Goenka, the founder of The Indian Express Group.

I only played a character conceived by Mani Ratnam. …


Which would you say was your most challenging scene in the film?

I'd say the one where I hear that Guru has had a paralytic stroke. Since I love him like a son, I'm terribly distraught and yet I refuse to compromise by going to see him in hospital. However, eventually, the father in him rises and he succumbs to his emotions. I could empathise completely in that moment of indecision because I'm a father myself.


We hear you coaxed the usually health-conscious Aishwarya Rai to savour the Bengali delicacies you plied the film's unit with?

Some people like to share music, others books. I'm happy when I can feed people. That's my biggest high. I was after Aishwarya till she gave in. I had to instruct her how to eat Bengali food. She was soon hooked on Potoler Dorma (parval stuffed with fish). Abhishek relished everything, particularly the Bhetki Macher Paturi (fish steamed in mustard).


It's interesting that you're opting for light, commercial entertainers in Bengal and going in for nuance performances in Hindi cinema.

I've always maintained that agar herogiri karni hai, then I'm already doing that successfully in Tollywood. So when it comes to Hindi film, usme dil ko chu lenewali baat honi chahiye.


Mimoh should make his debut this year. How're you feeling?

As a father, nervous. As an audience, I'm full of anticipation, waiting for him to prove himself. ….read more


Источник:сылка

 Отправлено: 01.02.07 22:28. Заголовок: Re:

The Search For A Strong Character Actor
________________________________________
By Enkayaar, Bollywood Trade News Network

A strange void had been created in the Indian film industry after the sudden demise of Amrish Puri, as the status to which he had raised the portrayal of a character actor in movies after movies, bringing it on par with those etched by Balraj Sahni or Moti Lal could not be filled even though lots of actors tried to do so. But the search now seems to have ended, unwittingly, and the person whom the industry can now look forward to stand in equality with all the actors has been found in the form of Mithun Chakraborty who has excelled beyond all the expectations in bringing out the character of the editor in the film GURU.

And a Director of the caliber of Mani Ratnam was indeed needed to find out the character actor who can essay the roles that have gone into oblivion and invigorate the dimension of acting, by accentuating the third element in the movie. After all, how long can a Hrithik or a Shah Rukh for that matter continue to portray the characters of negativity, they are heroes and they will have to return to their core specialization.

Mithun Chakraborty had gone into oblivion after his dance drama style films lost their honeymoon with the audience but he had turned the film making into a profitable venture by acting in C grade films, which were very cost effective to produce and gave him good returns. The same continued for some time, but an actor after all aspires to be appreciated by the class and the mass on a pan India basis, and for an actor like Mithun Chakraborty who had been a National Award winner in the very first film MRIGYA to continue in inconsequential movies for such a long time had to come to an end at one point of time. He had started making his presence felt in the Bengali film industry and was performing under the able guidance of the likes of Aparna Sen and Rituperno Ghosh etc., and had been winning encomiums as well. Probably, Mani Ratnam must have seen one of these performances of Mithun while shooting for YUVA in Kolkata and then would have decided to cast him in GURU.

Mithun's preparedness for the role, as also his willingness to don the mantle of a character actor was evident from the deglamourised approach that he brought into his characterization, and one of the singular pointers was the close crop hair that he adorned, it may have been a wig also. But for Mithun to be ready to portray a character which does not accentuate his hairy faculties was a sheer acknowledgement of the fact that he is graduating to grab the opportunity that has come his way and position himself into the role of a character actor of eminence.

The industry also should take a leaf out from this preparedness of Mithun and start creating strong roles for him as it had been doing for Amrish Puri, after all when the titans clash on the screen then it is the audience which gets the visual treat. He should not be considered a dancing star any more, as was being done by Ravi Chopra where he wanted to cast him in a song for his new film BHOOTNATH, and which fittingly enough was declined by Mithun. Mithun beckons the industry, and an actor who was never given the dues in his prime as an actor, may be, now needs to be accorded the same as an atonement of the past, as he is an actor who cannot just be left to fend for himself as it is more the loss of the industry than the actor himself

 Отправлено: 01.02.07 23:17. Заголовок: Здравствуйте

Здраствуйте .Я тоже большая поклонница таланта Митхуна .Примите меня к себе?

 Отправлено: 02.02.07 09:51. Заголовок: Re:

Gata пишет:

цитата:

Здраствуйте .Я тоже большая поклонница таланта Митхуна .Примите меня к себе?

Разумеется! Всегда добро пожаловать!

 Отправлено: 02.02.07 10:27. Заголовок: Re:

INTERVIEW | MITHUN CHAKRAVORTY


Big Boss

Roshmila Bhattacharya
Posted online: Friday, January 26, 2007 at 0000 hours IST

His Manik Dasgupta has obvious similarities with Ramnath Goenka but that’s not the only reason he’s caught the eye in Mani Ratnam’s Guru. Everyone who’s caught the film has come away raving about Mithun’s subtly-nuanced performance that is a far cry from the exaggerated comic act in the just-released bangla film Hungama. Dada explains why he’s decided to be the “ superstar hero” in his home state and the scene-stealer in Hindi films

You’ve certainly caught the eye in Guru?

Yeah, I’ve been getting a lot of applause, both from the media as well as the public. There’ve been so many SMSs...It feels great. And I give full credit to Mani Ratnam who’s an actor’s director.

Your character, Manik Dasgupta was obviously inspired by Ramnath Goenka, the founder-Chairman of The Indain Express Group.

(With a laugh) I cannot hear...I cannot see...I cannot speak. I only played a character conceived by Mani Ratnam.

Does this mean you don’t empathise with the character?

I stand by his values...his social consciousness. Unless you believe in a character you can never make him believable.

Which would you say was your most challenging scene in the film—the confrontation with Guru?

I’d say the one where I hear that Guru has had a paralytic stroke. Since I love him like a son, I’m terribly distraught and yet I refuse to compromise by going to see him in hospital. However, eventually, the father in him rises and he succumbs to his emotions...I could empathise completely with Manik Dasgupta in that moment of indecision and decision because I’m a father myself. In similar circumstances may be that’s how I’d react too. Any parent would...

Any comments on the Abhishek-Aishwarya engagement?

God bless them.


I believe you were able to coax the usually health conscious Aishwarya to savour the Bengali delicacies you plied the Guru unit with?

Some people like to share music, others books. I’m happy when I can feed people. That’s my biggest high. I was after Aishwarya till she gave in partook of the delicacies I’d laid out. I had to instruct her what to eat with what. She was soon hooked on potoler dorma (parval stuffed with fish). Abhishek relished everything, particularly the bhetki macher paturi (fish steamed in mustard).

What’s your favourite dish?

I love posto (poppy-seeds mixed in with potatoes) and builil dal (urad dal).

Your Bengali films, Hungama is creating quite a hungama in your home state.
It’s a blockbuster. And we’re told you’re Bengal’s reigning superstar and biggest crowd-puller. How does that make you feel?

It feels nice. My fan-following in Bengal has reached cult proportions. It’s no longer fan-ism but fanatic-ism (Laughs). Hungama is a laugh-riot, from the first to the last frame. And the comic character I played called for exaggerated body language, a strongly-accented East Bengal accent and a lot of improvisation.

Any other bangla films coming?

There’s Tul Kalam and the sequel to MLA Phata Keshto. The latter assumed mythical proportions in terms of popularity. I didn’t expect Hungama to touch those heights too.

It’s interesting that you’re opting for light, commercial entertainers in Bengal and going in for subtly-nuanced performances in Hindi cinema.

I’ve always maintained that agar herogiri karni hai then I’m already doing that successfully in Tollywood. So when it comes to Hindi film, usme dil ko chu lenewali baat honi chahiye.

Sony TV just celebrated a week-long Mithun festival that was hyped to the hilt.

Yeah, there were hoardings publicising it all over the country. They screened some of my best films...Kasam Paida Karnewali Ki, Daata, Boxer and of course Disco Dancer. The latter was a craze in India, Russia, Turkey, Germany...Just yesterday when I was in Mumbai, some journalists from a German magazine flew down specially to click the ‘Disco Dancer’. Then, the other day when I was watching the news I was surprised to see a poster of Pyar Ka Devtain war-ravaged Somalia.

Your ‘Golden Voice’ talent hunt on Zee Bangla was a big success too. Will you be anchoring the second series?

I don’t know about ‘Golden Voice’ but I could be anchoring something else. Talks are on...

Mimoh should make his debut this year. How’re you feeling?

As a father, nervous. As an audience I’m full of anticipation, waiting for him to prove himself.

The buzz is that we could see another Disco Dancer?

He’ll do better than that.

Mithun Chakraborty
MUMBAI

 Отправлено: 02.02.07 17:14. Заголовок: Re:

А что, все, кто посещает ваш форум, знаюи английский? Если не трудно, для тех, кто им не владеет - в двух словах - о чем речь.

 Отправлено: 02.02.07 17:55. Заголовок: Re:

Елена3 пишет:

цитата:

А что, все, кто посещает ваш форум, знаюи английский? Если не трудно, для тех, кто им не владеет - в двух словах - о чем речь.

Елена ели тебе пойдет я могу перевести тупысм промтонским перевадам

 Отправлено: 02.02.07 18:02. Заголовок: Re:

Пожалуйста, по-любому. лишь бы понять о чем речь

 Отправлено: 02.02.07 18:10. Заголовок: Re:

Gata пишет:

цитата:

Здраствуйте .Я тоже большая поклонница таланта Митхуна .Примите меня к себе?

Рады что к нам привоеденились !!!!!!!Приветствую тебя в нашей любищей семье "Митхунистав"

 Отправлено: 02.02.07 18:12. Заголовок: Re:

Это от WOLF статейка

Поиск Сильного Актера Характера(Знака)
________________________________________
Enkayaar, Bollywood Торгует Сетью новостей

Странная пустота была создана в индийском кинопроизводстве после внезапного упадка(развала) Amrish Puri, как статус, к которому он поднял изображение актера характера(знака) в кино после кино, принося это на паритете с гравировавшими Balraj Sahni или Moti Lal не мог быть заполнен даже при том, что много актеров пробовало сделать так. Но поиск теперь, кажется, заканчивается, невольно, и человек, которого промышленность может теперь смотреть вперед, чтобы выдержать в равенстве со всеми актерами, был найден в форме Mithun Chakraborty, кто превзошел других вне всех ожиданий в произвождении характера(знака) редактора в ГУРУ фильма.

И Директор калибра Mani Ratnam был действительно необходим, чтобы узнать актера характера(знака), который может эссе роли, которые вошли в забвение и подбадривают измерение действия, подчеркивая третий элемент в кино. В конце концов, как долго может, Hrithik или Шах Рух в этом отношении продолжают изображать характеры(знаки) отрицательности, они - герои, и они должны будут возвратиться к их основной специализации.

Mithun Chakraborty вошел в забвение после того, как его фильмы стиля драмы танца потеряли их медовый месяц с аудиторией, но он превратил создание фильма в выгодное предприятие, действуя в C фильмах сорта, которые очень стоились эффективными, чтобы произвести и дали ему хорошие возвращения. То же самое продолжалось в течение некоторого времени, но актер в конце концов стремится быть оцененным классом и массой на кастрюле основание Индии, и для актера подобно Mithun Chakraborty, кто был национальным Лауреатом премии в самом первом фильме MRIGYA, чтобы продолжиться в несущественном кино в течение такого долгого времени, должен был прибыть в конец однажды времени. Он начал делать его присутствие, которое чувствуют в бенгальском кинопроизводстве и выполнял под способным руководством подобными Aparna Сенатора и Rituperno Ghosh и т.д., и выиграл восхваления также. Вероятно, Mani Ratnam, должно быть, видели одно из этих действий Mithun при стрельбе для YUVA в Kolkata и затем решил бы бросить его в ГУРУ.

Подготовленность Митана для роли, как также его готовность Дону, мантия актера характера(знака) была очевидна от подхода deglamourised, что он принес в его характеристику, и один из сингулярных(исключительных) указателей, была близкими волосами урожая, которые он украсил, это, возможно,был парик также. Но для Митана, чтобы быть готовым, чтобы изобразить характер(знак), который не подчеркивает, его волосатые факультеты(способности) были явным подтверждением факта, что он получает высшее образование, чтобы захватить возможность, которая прибыла его путь и положение(позиция)непосредственно в роль актера характера(знака) известности.

Промышленность также должна вынуть лист от этой подготовленности Митана и начать создавать сильные роли для него, поскольку это делало для Amrish Puri, в конце концов когда титаны сталкиваются на экране, тогда это - аудитория, которая получает визуальное удовольствие. Его нельзя рассмотреть(счесть) танцующей звездой больше, как делался Ravi Chopra, где он хотел бросить его в песне для его нового фильма BHOOTNATH, и который подходяще достаточно было уменьшено(отклонено) на Митан. Митан подзывает промышленность, и актера, который никогда не сдавался dues его главный как актер, может быть, теперь должен получить то же самое как искупление прошлого, поскольку он - актер, которого нельзя только оставить, чтобы отразить для себя, поскольку это - больше потеря промышленности чем актер непосредственно

 Отправлено: 02.02.07 18:16. Заголовок: Re:

Эта Ольги:
БЕРИТЕ ИНТЕРВЬЮ | MITHUN CHAKRAVORTY


Большой Босс

Roshmila Bhattacharya
Отправленный по почте(Объявленный) диалоговый: пятница, 26 января 2007 в 0000 часов в Индии

Его Manik Dasgupta имеет очевидные подобия с Ramnath Goenka, но это - не единственная причина(разум), он поймал глаз в Гуру Мани Ратнама. Каждый, кто поймал фильм, ушел, бредя о Митане тонко-nuanced работа(выполнение), которая является далеким криком от преувеличенного комического акта в только-выпущенном bangla фильм Hungama. Дадаизм объясняет, почему он решен, чтобы быть “ героем суперзвезды” в его домашнем государстве(состоянии) и сцене(месте)-stealer в фильмахязыка хинди

Вы конечно поймали глаз в Гуру?

Да, я получил много аплодисментов, оба от СМИ так же как публики. There’ve так много СМС... Это чувствует себя большим. И я даю полный кредит Мани Ратнаму, который является директором актера.

Ваш характер, Manik Dasgupta был очевидно вдохновлен Ramnath Goenka, основатель-председатель Группы Экспресса Indain.

(Со смехом) я не могу слышать... Я не могу видеть... Я не могу говорить. Я только играл характер(знак), задуманный Мани Ратнамом.

Это подразумевает, что Вы не сочувствуете характеру(знаку)?

Я выдерживаю его ценностями ... его социальное сознание. Если Вы не верите в характер(знак), Вы никогда не можете делать его правдоподобным.

Который был бы Вы говорить ваш, больше всего бросал вызов сцене(месту) в фильме — конфронтация с Гуру?

Я сказал бы тот, где я слышу, что Гуру имел паралитический удар. Так как я люблю его подобно сыну, я являюсь ужасно обезумевшим, и все же я отказываюсь идти на компромисс, собираясь видеть его в больнице. Однако, в конечном счете, отец в нем поднимается, и он уступает его эмоциям... Я мог сочувствовать полностью Manik Dasgupta в тот момент нерешительности и решения, потому что я - отец самостоятельно. В подобных обстоятельствах может быть, это - то, как я реагировал бы также. Любой родитель был бы...

Любые комментарии относительно Abhishek-Aishwarya обязательства?

Бог благословляет их.


Я полагаю, что Вы были способны уговорить обычно здоровье, сознающее Aishwarya, чтобы насладиться бенгальскими деликатесами(деликатностями), Вы докучали единицей Гуру?

Некоторые люди любят разделять музыку, книги других. Я счастлив, когда я могу кормить людей. Это мой самое большое высоко. Я был, после Aishwarya, пока она не сдавалась, принимал участие в деликатесах(деликатностях), которые я вынул. Я должен был инструктировать ее, что есть с какой(что). Она скоро зацеплялась potoler dorma (parval наполненный рыбой). Abhishek смаковал все, особенно bhetki macher paturi (рыба двигался в горчице).

Каково ваше любимое блюдо?

Я люблю posto (маки, смешанные в с картофелем) и builil dal (urad dal).

Ваши бенгальские фильмы, Hungama создают весьма hungama в вашем домашнем государстве(состоянии).
Это - боевик. И нам говорят, что Вы - правящая суперзвезда Бенгалии и самая большая толпа-puller. Как это заставляет Вы чувствовать?

Это чувствует себя хорошим. Мой следующий за болельщиком в Бенгалии достиг размеров культа. Это больше не изм болельщика, но фанатизм (Смех). Hungama - бунт смеха, от первого к последней структуре(рамке). И комический характер(знак) я играл призванный преувеличенный язык тела, настоятельно-акцентированный Восточный Бенгальский акцент и много импровизации.

Любое другое bangla прибытие фильмов?

Есть Tul Kalam и продолжение MLA Фата Кешто. Последний принимал мифические размеры в терминах популярности. Я не ожидал, что Hungama коснется тех высот также.

Интересно, что Вы выбираете легкие, коммерческие конферансье в Бенгалии и занимаетесь тонко-nuanced действиями в кино языка хинди.

Я всегда поддерживал(обслуживал) тот агар herogiri karni hai, тогда я уже делаю это успешно в Tollywood. Так, когда это прибывает в фильм языка хинди, usme гомотетия ko Чу lenewali baat honi chahiye.

Sony телевидение только праздновал длинный по неделе фестиваль Митана, который был раздут к рукоятке.

Да, были рекламные щиты предающий гласности(разглашение) это по все стране. Они показывали на экране некоторыеиз моих лучших фильмов... Казам Пэйда Карнеуолиа Киа, Daata, Боксер и конечно Балерина Дискотеки. Последний был повальным увлечением(помешательством) в Индии, России, Турции, Германии... Только вчера,когда я был в Mumbai, некоторые журналисты от немецкого журнала летели вниз особенно(специально), чтобы щелкнуть ‘Балериной Дискотеки’. Тогда, на днях когда я наблюдал новости, я был удивлен видеть эмблему Пьяра Каа Девтэйна разоренное войной Сомали.

Ваш ‘Золотой Голос’ охота на талант на Zee Bangla был большим успехом также. Вы будете ставить на якорь второй ряд?

Я не знаю о ‘Золотом Голосе’, но я мог ставить на якорь кое-что еще. Переговоры идут(горят)...

Mimoh должен делать его дебют в этом году. How’re Вы чувство?

Как отец, возбужденный. Как аудитория я полон ожидания, ждущего его, чтобы оказаться.

Гудение - то, что мы могли видеть другую Балерину Дискотеки?

Он добьется большего успеха чем это.

Митан Chakraborty
MUMBAI

 Отправлено: 02.02.07 22:49. Заголовок: Re:

Елена3 пишет:

цитата:

А что, все, кто посещает ваш форум, знают английский?

Ты не поверишь! Тут сборище гениальных людей!!!Здесь люди и инглиш, и хинди знают... И еще фигову тучу всего! Я иногда просто выпадаю в осадок от здешних талантов!
Это искренне.

 Отправлено: 02.02.07 23:44. Заголовок: Re:

alla пишет:

цитата:

И еще фигову тучу всего

и еще большую туеву хучу придумывают с разбегу,что потом выливается в "фантазии", тесты с продолжениями и прочие комиксы......